​Take one, two…Now action! 

Sin comes from debris of thoughts, bits of segmented unholy and unwholesome pixels. Sin is a puzzle, pieced together from diverse places. Sin looks powerful when you cannot account for how it became itself, but that’s all about it, looks… Sin is a script, it is a movie, a series…series of movements by skin; flesh, trying to remain fleshy; starvation of the soul. Sin is a fervent set with the absence of God. God does not direct sin but sin is a blockbuster. A profit-making release with a premier ownership of the finest form of godliness.

Sin is a stage play, watched by everyone but the actor.

It is implicative, affective, with a trapdoor only the audience can see. Sin is magic, that’s all, magic. Magic profits all but its gain. Sin sacrifices nothing but the dinner. Sin is a feast, a feat of pain to the greatest pleasures. Sin wears a mask, a nice face else it wouldn’t be famous. Yes, sin is famous, trendy, fashionable. Sometimes sin is fashion, culture and sin. But sin is hungry, makes its fans -sinners – hungry so that even in plenty, there is plenty to be filled. Now,  this is the montague of the movie.

“Cut! Let’s take five”

One thought on “THE SCENES OF SIN I

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